

Bodies Unbound
Directed by : Inka Winter
Runtime : 46:46
Performers : Kimmy Kimm, Nathan Bronson
DESCRIPTION
A ForPlay Films masterpiece, “Bodies Unbound” melds contemporary dance, emotional vulnerability, and passionate feminist erotica.
Choreographed by a renowned ballet dancer and choreographer under the alias “Chase Motion”, the piece is brought to life by performers Kimmy Kim and Nathan Bronson, who bring their expertise in dance and parkour into the realm of erotic art. Inspired by the emotional contemporary pieces of “So You Think You Can Dance”, this piece was a long-time dream of director Inka Winter – and this was the perfect team to bring it to life.
Playing two lovers who are going through a rough patch, Kimmy and Nathan embody an aching, passionate moment of turmoil in their relationship… and trying to find each other again, one last time. Full of sensuality, drama, tension, and tenderness, the modern ballet dance takes us on an emotional journey that finally brings to couple together on the bed.
Surrendering to their feelings, they kiss passionately. They take each other in – is this a good idea? Passions running high, Nathan pulls Kimmy to him roughly, then tenderly kisses her neck as if it’s the last time. She gasps, the heat rising. He kisses her deeply, tasting her, wrapping his hand around her neck, as if claiming her one final time. He traces her arm, her skin, the shapes of her imprinted on his memory. She allows him to peel her dress off her body, revealing her small, perfect breasts and hardening nipples. She leans back, and he reaches down beneath her shift, finding her bare pussy already wet. He fingers her, rubbing her clit, kissing her all the while as her breath quickens. He rubs her clit delicately, taking his time, and she reaches for him too. She feels his hardness through his pants, his wanting, his patience, his need. His hands are strong, but oh-so-patient with her precious body. He finds the spot and she gasps, “right there”.
Wanting more, he moves around her. He wants to taste her, drink her in. She leans back. He leans down. Another dance. He brings his lips to her sweetness, the light furring on her mound. He licks, sucks, worships her folds, and the pearl of her clitoris. It’s hard and sensitive and throbbing under his tongue. She moans and lifts her dancer’s legs to give him easier access. She’s an oasis of nectar, maddening, intoxicating.
She rises to kiss him, taste herself on his lips. Her turn. She gets on her knees, asks permission with her eyes. He unveils himself, his hard cock aching for her, even as he takes his time. She gazes up at him, doe eyes wide, and brings her delicate lips to his tip.
He’s long and thick and hard, a beautiful expression of manhood. She takes her time, with her own dancer’s timing, her own feminine patience. Slowly, sensually, she sucks him in, runs her lips over and around his shaft, envelops the head of his cock. She teases him sensually, going almost tantric with sensation play. Gazing up at him all the while, submissive, knowing, powerful all at once.
He knows what she likes, too. He reaches over her tattooed body, find her cleft, her ass. Uses his fingers to stimulate her with some teasing assplay.
They’re ready for even more vulnerability. They remove the last traces of their clothing, use their hands for last mutual masturbation. He’s hard, she’s wet, both are aching with need. Kimmy tuns onto her back, opens herself, and Nathan moves over her. He tastes her, and then positions himself at her opening. He moves her flexible dancer’s leg over his shoulder… and enters her.
She gasps as he thrusts into her. Her slickness lets him penetrate deeply. He makes love to her steadily in missionary, before they shift into spooning, Nathan taking her from behind. She gasps and moans. Girl-on-top follows, with her dancer body tracing sinuous shapes over his hips as she rides his cock. She then sits on his face as he jerks himself, eating her out with cunnilingus while jacking his hard dick.
Her turn again. She leans over his cock, slathers it with attention and sticky saliva, making it wet for more penetration. She climbs on top of him, her tiny, taut dancer’s form hovering over him, before she sheathes herself over his large cock. She rides him in a sensual cowgirl, before they flip over and put her on her belly. He teases her from behind with short sharp thrusts until her body begs for more, and then fucks her hard and fast in modified doggy style, hitting her g spot until she cries out in ecstasy.
She begs for him in her mouth, giving him another brief blow job, before they go back to fucking, passionately, face to face, in missionary. She cries out “Yes” again and again as he fucks her deeply, hungrily feasting on her nipples as he makes love to her. He wants to drink her in even more, and dives lower to drink in her pussy with more cunnilingus. “You’re so good at that”, Kimmy moans. He starts to fuck her again as she rubs her own clit. They hold each other close, desperate, trying to disappear into each other while they still can, trying to become one. They meld, taking each other higher and higher, making love with desperate need. Until finally, exquisitely, Nathan pulls out and spurts his seed over their naked bodies, the dance completed.
Yearning made real, bodies unbound and coming back together. A dance we know so well, made into art.